Dejah Thoris (
dejah_thoris) wrote2015-05-06 01:50 pm
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[oom] A Pot of Tea
This is the part of the project she enjoys the most. The design phase, where ideas start to take form and the project takes on a certain life of its own. She has compiled all the research she needs. She's relatively certain she's aware of all the issues that must be addressed in the final design. Now it's time to synthesize these ideas and put her pens to paper. As form follows function, and evolution has handled refining the design, all she needs to do is adapt the technology to the original biological schematics. Layers upon layers, she builds up the image, from structure to power, sensors to servos. She can't help but put her own aesthetic into the work, and in sketching, she decides that she'll have to fabricate several of the parts by hand.
Woola found his way back and was snoozing in front of the fire. She'd been up since the wee hours of the morning. The rats had brought her morning meal without her even having to ask. Now, she sat at her drawing board, her long hair pinned back from her face, speared through with a quill. At her elbow, a growing stack of dirty tea cups that would have to be addressed sooner or later.
But not right now. She wanted to get the last few pieces of the external forearm onto the vellum, just as she'd imagined it.
Woola found his way back and was snoozing in front of the fire. She'd been up since the wee hours of the morning. The rats had brought her morning meal without her even having to ask. Now, she sat at her drawing board, her long hair pinned back from her face, speared through with a quill. At her elbow, a growing stack of dirty tea cups that would have to be addressed sooner or later.
But not right now. She wanted to get the last few pieces of the external forearm onto the vellum, just as she'd imagined it.
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She's quiet for a long moment.
"And you said -- you don't remember much before the train."
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"No. I get these -- " He mimes a burst with his hand. "Flashes, kind of. I didn't used to before I came here, but being around all this shit again..."
He trails off for a moment, then resumes the track.
"I tried to forget as much as I could."
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He's pretty sure that means the water's done boiling. And if it doesn't, hey, at least it'll give him a moment's distraction.
In short order, he's back with the unplugged kettle, lowering himself to the floor again.
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"Do you have any questions for me?"
If he only knew how much willpower it took for her to hold back the barrage of questions swirling in her head...
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"How come you're okay with going to the tail?" he says at last.
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"There is no front or tail where I am from. There is," her hands sketch a shape in the air, "a stratification of society, surely. There are those who clean floors and serve food. There are those who grow and cook the food. There are people who raise the plants for thread, and those who weave it into garments. There are those who sew the fabric. There are people who bear water from the well to the animal pens. There are those who tend to the animals, when they are injured or ill. There are those who butcher and those who hunt. There are those who create music or art and those who work in the sciences. There are those who dig ore, who smelt it, who turn that metal into weapons or parts for the light flyers. There are those who engineer the light flyers. Or the pumps that draw the water up from deep in the earth, to feed the well that waters the animals. We are all intertwined."
She speaks eloquently, as a teacher might, but not in a patronizing fashion. "Each one of us has our part to play, and without each other, we will falter and fall into ruin. Each one of us has an important part to play. Those of us at the top of this society owe the greatest debt to the lowest, for without them -- we would die."
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"I think Wilford thought that too," he mutters. "Just...differently."
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Her voice lifts at the end and he can see her catch herself. Her eyes close and she draws a deep breath, lets it out.
"Please, do not draw such a comparison again. It offends my honor, to be linked with such a beast."
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He breaks off, frustration spiking, and thumps the kettle onto the floor. Curtis blows out a long breath in unconscious counterpoint to Dejah.
Lower, "I know you're not the same."
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"Let there be no lies between us, Curtis. Do you? Do you know that I am not like them?"
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"I'm trying," is all he says at last, very soft.
It's like he said before: she hasn't hurt him. She hasn't shown anything but kindness. But for eighteen years, kindness came with costs, and every time he feels himself start to relax, one thought pulls him back: what's the catch?
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"That's all I can ask. I'm okay with going to the tail because my people love me. I am safe walking among them. One day, perhaps, you may return to Helium with me and you can see the marketplace for yourself."
She doesn't imagine this Wilford would have ever dared set foot among the Tail-sectioners. And for good reason. Any man who treated his charges thus would be torn to pieces among her people.
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Slowly, his grip on the kettle eases, color returning to his fingers.
"Wilford didn't even talk to the people who loved him."
If you could call Mason's manic adoration love. Self-preservation, really; he saw first-hand how quickly she turned on Wilford when she thought Curtis would kill her.
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She remembered meeting Matai Chang's bewildered gaze. How long ago and yet, it seemed like yesterday.
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"That's when he told me everything."
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"Can you tell me?"
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"There was this guy in the tail," he says at last. "I don't know how old he was, but...pretty old. Eighties, maybe. He was sort of..."
How the hell can he describe Gilliam? It's like when she asked him to explain what Curtis meant when he said, he's Edgar.
"He should've been the leader. Not me. I always thought that."
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The whole conversation takes on a measured, almost reverent pace. Each thought given the air and weight it deserves, each utterance spoken quietly, in respect for those who have fallen. Those who were felled.
"And why is that?"
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(Unwilling.)
"He meant a lot to us," is all he says.
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"And what did he mean to Wilford?"
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"They were working together."
A knot forms in his throat, swelling to the point of pain. Curtis takes a swallow of tea and tries to force the lump away.
"The whole time. Wilford knew we were coming."
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They were here all along. They walked among us, in the holy places. We looked to them for guidance. And they almost lead us to our own destruction.
"He sent you to your deaths."
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He still can't reconcile it. Still doesn't want to believe it. Gilliam saved their goddamn lives. How the fuck could he look Curtis in the eye and plot a revolution, knowing -- not predicting, but knowing -- they'd be slaughtered?
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"Blessed Mother..." To play a god over men. "He was culling his herd?" She sets her mug down and cradles her head in both her hands. "Curtis, please tell me you killed him."
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